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People Gesture Drawing - Ink then tonal fills

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Great warm-up exercise or general practice on getting accuracy or the impression from references

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Escape From Planet Earth pt. 1

Here are a few items from my time at Rainmaker Entertainment working on Escape. My tasks were varied while I covered a wide range of design tasks, so I wanted to show some favorites that came out of the production. Graphic design for the emergency self destruct sequence manual. Individual panel jokes initiated by the story/writing team. Prop designs for the local science exhibit. Some are a continuation of some awesome work by Armand Serrano Look development for the FX team (container not designed by myself) Wig design for Shanker (to get the ladies) A dangerous prop design that didn't make it (scene cut) All images are property of the Weinstein Company.

Escape from Planet Earth pt. 4

Whew, last batch of stuff. This time some effects work and more geometry designs. Gift Wrap! Shipping containers Free standing TV station with old school cabinet and RCA cables - who rigged the power to this thing? Work on the Holding Cell - helped design the lights, ceiling, doors, power modules, texture wraps etc. Potential tractor bean effects Final look dev (for my part) on the beam grabbing an object and wish list effects Scorches non destructive particle cannon effects - designed to stun not kill Early wormhole effects designs for discussion Did the texture/color design for Kips clock in his room Shankers' Laptop - fitted with ultra thin printer and customized pop-out panels that eject as the lid opens

Escape From Planet Earth pt. 2

Here is some more Escape work - this time focusing on some of the graphic design. From 7-11 to artificial magazines to old star charts. Next post should have weapon designs and props - and I'll share some effects designs and misc. stuff too. I was pleasantly surprised with the variety of fun subjects to work with in an animated movie. How smart is Gary? One of the strangest things I'll ever get paid to draw. And no, Shanker was not modeled with a body under his clothing. Now I know how hard it is to put abs on super stylized proportions. Tiling texture for Kip's bed sheets - of his uncle Scorches ship Old background magazines. Star charts in Shanker's office Welcome home signs that didn't end up being used. All images are property of Rainmaker Entertainment and the Weinstein Company.

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